{"id":768,"date":"2026-07-07T11:24:34","date_gmt":"2026-07-07T10:24:34","guid":{"rendered":"https:\/\/2026.laplumeetlimage.fr\/?page_id=768"},"modified":"2026-07-07T14:51:41","modified_gmt":"2026-07-07T13:51:41","slug":"kamel-daoud-houris-rentree-litteraire-2024","status":"publish","type":"page","link":"https:\/\/www.laplumeetlimage.fr\/index.php\/kamel-daoud-houris-rentree-litteraire-2024\/","title":{"rendered":"Kamel DAOUD, Houris \u2013 Rentr\u00e9e litt\u00e9raire 2024"},"content":{"rendered":"\n<div class=\"wp-block-cover alignfull\" style=\"min-height:300px;aspect-ratio:unset;\"><img decoding=\"async\" class=\"wp-block-cover__image-background wp-image-547\" alt=\"\" src=\"http:\/\/2026.laplumeetlimage.fr\/wp-content\/uploads\/2026\/07\/kamel.jpg\" data-object-fit=\"cover\"\/><span aria-hidden=\"true\" class=\"wp-block-cover__background has-background-dim\"><\/span><div class=\"wp-block-cover__inner-container is-layout-flow wp-block-cover-is-layout-flow\">\n<h1 class=\"wp-block-heading has-text-align-center has-text-color\" style=\"color:#f0ece6;font-size:42px;text-shadow: 0 0 4px #250218, 0 0 20px #250218, 0 0 40px #10010a;\">Kamel Daoud \u2014 Houris<\/h1>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-group is-layout-constrained wp-container-core-group-is-layout-09b7c455 wp-block-group-is-layout-constrained\" style=\"padding-top:48px;padding-bottom:48px\">\n\n<p class=\"has-text-color wp-block-paragraph\" style=\"color:#958991;font-size:13px;font-weight:600;text-transform:uppercase;letter-spacing:1px;\">Note de lecture\u2014 Rentr\u00e9e litt\u00e9raire 2024 <br> Par Nadine Brunelot | 26 octobre 2024<\/p><\/p>\n\n\n<div style=\"height:8px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div style=\"background-color:#f9f6f8;border-left:4px solid #5bc8d4;border-radius:0 8px 8px 0;padding:20px 28px;margin-bottom:32px;\">\n  <p style=\"font-size:16px;font-style:italic;color:#4a1033;margin:0 0 6px 0;\">Pas un documentaire. Pas un essai. Pas un livre historique. Mais un roman. Document\u00e9. Engag\u00e9. Ancr\u00e9 dans une histoire alg\u00e9rienne.\n<\/p>\n  <p style=\"font-size:14px;color:#958991;margin:0;\"><strong>Kamel Daoud<\/strong>, <em>Houris<\/em>, Gallimard, 416 pages<\/p>\n<\/div>\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-fa703c11 wp-block-columns-is-layout-flex\">\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:45%\">\n\n <img decoding=\"async\" src=\"http:\/\/2026.laplumeetlimage.fr\/wp-content\/uploads\/2026\/07\/K-Daoud-Houris-1-2048x2048-1.jpg\" alt=\"Kamel Daoud\" style=\"width:100%;height:auto;border-radius:4px;display:block;\">\n\n<\/div>\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:55%\">\n\n<p class=\"wp-block-paragraph\" style=\"font-size:20px;line-height:1.8;text-align:justify\"><strong>Houris<\/strong> est le roman des ann\u00e9es noires de l\u2019Alg\u00e9rie, celle d\u2019une d\u00e9cennie (1990-2000) qu\u2019on a voulu effacer de la m\u00e9moire nationale, pr\u00e9f\u00e9rant de loin entretenir celle d\u2019une autre guerre.<br>\u00ab Houris \u00bb est une histoire de femmes. Les vierges sublimes et sublim\u00e9es du paradis terrestre et les femmes enlev\u00e9es, \u00e9gorg\u00e9es, condamn\u00e9es au silence.\n<br>\n\n<\/div>\n\n<\/div>\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:20px;line-height:1.8;text-align:justify\">\n<strong>Houris<\/strong> est une enfant dans un ventre qui entend toute l\u2019histoire de cette d\u00e9cennie de malheur \u00e0 travers la voix de sa m\u00e8re muette \u00e0 cause du geste de l\u2019\u00e9gorgeur. L\u2019\u00e9paisseur d\u2019un ventre comme une muraille au travers de laquelle se dit la v\u00e9rit\u00e9 d\u2019une histoire qu\u2019on a voulu nier.\nLa parole en sourdine et parfois en cris parvient \u00e0 l\u2019oreille du lecteur stup\u00e9fait.<br>\n<br>Ce livre \u00e9crit dans une langue int\u00e9rieure, orientale, emphatique parfois, est un texte important. Parce qu\u2019\u00e9crire c\u2019est aussi percer le silence, Kamel Daoud tranche dans cette histoire m\u00e9connue des occidentaux et prend le risque de traduire l\u2019omerta et de faire parler les parias.\n<br>\nUn livre comme un champ de bataille et un chantier de reconstruction. L\u2019inverse d\u2019une fable des mille et une nuits.<\/p>\n\n\n<div style=\"height:24px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div style=\"background-color:#f9f6f8;border-radius:8px;padding:28px 32px;border-left:4px solid #4a1033;\">\n  <p style=\"font-size:16px;line-height:2;color:#4a1033;font-style:italic;margin:0 0 12px 0;\">\u00abQuand ne survit qu\u2019une seule personne d\u2019une guerre enti\u00e8re, cette guerre devient le fait de son imagination, le seul endroit o\u00f9 elle poss\u00e8de un champ de bataille.\u00bb <\/p>\n<\/div>\n\n\n<div style=\"height:48px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div style=\"border-top:1px solid #c9a8bc;padding-top:24px;\">\n  <a href=\"https:\/\/2026.laplumeetlimage.fr\/index.php\/chroniques-de-lecture\/\" style=\"color:#5bc8d4;font-size:14px;font-weight:600;text-decoration:none;\">\u2190 Retour aux lectures<\/a>\n<\/div>\n\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Note de lecture\u2014 Rentr\u00e9e litt\u00e9raire 2024 Par Nadine Brunelot | 26 octobre 2024 Pas un documentaire. Pas un essai. Pas [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_uag_custom_page_level_css":"","site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"class_list":["post-768","page","type-page","status-publish","hentry"],"uagb_featured_image_src":{"full":false,"thumbnail":false,"medium":false,"medium_large":false,"large":false,"1536x1536":false,"2048x2048":false,"mailpoet_newsletter_max":false},"uagb_author_info":{"display_name":"admin9538","author_link":"https:\/\/www.laplumeetlimage.fr\/index.php\/author\/admin9538\/"},"uagb_comment_info":0,"uagb_excerpt":"Note de lecture\u2014 Rentr\u00e9e litt\u00e9raire 2024 Par Nadine Brunelot | 26 octobre 2024 Pas un documentaire. Pas un essai. Pas [&hellip;]","_links":{"self":[{"href":"https:\/\/www.laplumeetlimage.fr\/index.php\/wp-json\/wp\/v2\/pages\/768","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.laplumeetlimage.fr\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.laplumeetlimage.fr\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.laplumeetlimage.fr\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.laplumeetlimage.fr\/index.php\/wp-json\/wp\/v2\/comments?post=768"}],"version-history":[{"count":24,"href":"https:\/\/www.laplumeetlimage.fr\/index.php\/wp-json\/wp\/v2\/pages\/768\/revisions"}],"predecessor-version":[{"id":819,"href":"https:\/\/www.laplumeetlimage.fr\/index.php\/wp-json\/wp\/v2\/pages\/768\/revisions\/819"}],"wp:attachment":[{"href":"https:\/\/www.laplumeetlimage.fr\/index.php\/wp-json\/wp\/v2\/media?parent=768"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}