{"id":544,"date":"2026-07-05T18:15:45","date_gmt":"2026-07-05T17:15:45","guid":{"rendered":"https:\/\/2026.laplumeetlimage.fr\/?page_id=544"},"modified":"2026-09-18T07:00:35","modified_gmt":"2026-09-18T06:00:35","slug":"chroniques-de-lecture","status":"publish","type":"page","link":"https:\/\/www.laplumeetlimage.fr\/index.php\/chroniques-de-lecture\/","title":{"rendered":"Chroniques de lecture"},"content":{"rendered":"\n
<\/span>
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Nos lectures<\/h1>\n\n<\/div><\/div>\n\n\n\n
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Dans le cadre de nos ateliers d’\u00e9criture, nous nous appuyons r\u00e9guli\u00e8rement sur des \u0153uvres litt\u00e9raires contemporaines pour nourrir les propositions d’\u00e9criture, ouvrir des pistes, explorer des formes. Voici quelques-uns des auteurs et autrices que nous lisons et faisons lire.<\/p>\n\n\n\n

<\/div>\n\n\n\n\n
\n \n \n \n \n
\n \"Maryline\n <\/td>\n \n \n \n

Maryline DESBIOLLES, L\u2019 Agrafe \u2013 Rentr\u00e9e litt\u00e9raire 2024<\/h3>\n

\n Chronique par Nadine Brunelot\n <\/p>\n

\n Les lieux font-ils les h\u00e9ro\u00efnes? Le paysage pr\u00e9face-t-il l\u2019intrigue? Comment un texte s\u2019ancre-t-il dans un territoire?<\/p>\n

\n Nous sommes dans l\u2019arri\u00e8re pays ni\u00e7ois, plus pr\u00e9cis\u00e9ment \u00e0 l\u2019Escar\u00e8ne. Loin la mer. Irr\u00e9els les touristes allong\u00e9s sur le sable bouillant. Peut-\u00eatre faut-il \u00eatre dans des lieux a priori sans attrait et sans histoire pour comprendre quelque chose sous le soleil\u2026\n <\/p>\n \n

\n Lire la suite<\/a>\n <\/p>\n <\/td>\n <\/tr>\n <\/tbody>\n <\/table>\n<\/div>\n\n\n\n\n

\n \n \n \n \n
\n \"B\u00e9r\u00e9nice\n <\/td>\n \n \n \n

B\u00e9r\u00e9nice PICHAT, La petite bonne \u2013 Rentr\u00e9e litt\u00e9raire 2024<\/h3>\n

\n Chronique par Nadine Brunelot\n <\/p>\n

\n Premier roman. Un de mes coups de c\u0153ur de la rentr\u00e9e litt\u00e9raire 2024.\n <\/p>\n

\n La petite bonne c\u2019est une jeune femme qui entre au service des Daniel, un couple bourgeois des ann\u00e9es 30 en France. On pourrait imaginer la suite facile et pr\u00e9visible\u2026 les conditions de vie de la jeune domestique et la friction des mondes. Rien de tout cela.\n <\/p>\n \n

\n Lire la suite<\/a>\n <\/p>\n <\/td>\n <\/tr>\n <\/tbody>\n <\/table>\n<\/div>\n\n\n\n\n

\n \n \n \n \n
\n \"Kamel\n <\/td>\n \n \n \n

Kamel DAOUD, Houris \u2013 Rentr\u00e9e litt\u00e9raire 2024<\/h3>\n

\n Chronique par Nadine Brunelot\n <\/p>\n

\n Pas un documentaire. Pas un essai. Pas un livre historique. Mais un roman. Document\u00e9. Engag\u00e9. Ancr\u00e9 dans une histoire alg\u00e9rienne. Kamel DAOUD, Houris, Gallimard, 412 pages \u00ab Houris \u00bb est le roman\n <\/p>\n \n

\n Lire la suite<\/a>\n <\/p>\n <\/td>\n <\/tr>\n <\/tbody>\n <\/table>\n<\/div>\n\n\n\n\n

\n \n \n \n \n
\n \"Olivier\n <\/td>\n \n \n \n

Olivier NOREK, Les guerriers de l\u2019hiver \u2013 Rentr\u00e9e litt\u00e9raire 2024<\/h3>\n

\n Chronique par Nadine Brunelot\n <\/p> \n

\n Quand un \u00e9crivain de polar d\u00e9cide d\u2019\u00e9crire sur une guerre m\u00e9connue, quand il \u00e9crit sur la l\u00e9gende du plus grand snipper au monde, quand il raconte le combat de David contre Goliath, quand il se documente pour toucher le givre du r\u00e9el de cette Guerre d\u2019hiver, quand il sait comment tendre une lecture, alors vient un livre dont on se souviendra.\n <\/p>\n \n

\n Lire la suite<\/a>\n <\/p>\n <\/td>\n <\/tr>\n <\/tbody>\n <\/table>\n<\/div>\n\n\n\n\n

\n \n \n \n \n
\n \"Alix\n <\/td>\n \n \n \n

Alix LESRALE, Jours sous soleil, Castor Astral, 2026<\/h3>\n

\n Chronique par Nadine Brunelot\n <\/p>\n

\n Deuxi\u00e8me roman et la confirmation d’une voix singuli\u00e8re de la litt\u00e9rature contemporaine.\n <\/p>\n

\n Alix Lesrale nous offre un livre br\u00fblant de soleil, \u00e9cras\u00e9 de douleurs partag\u00e9es depuis des ann\u00e9es, bouillonnant de non-dit et de silences. M\u00eame l’annonce de la maladie du p\u00e8re au d\u00e9but du roman ne d\u00e9verrouille pas tensions et pulsions de S\u00e9bastien, Loun et Sam, la grande s\u0153ur, qui porte tout et tous.\n <\/p>\n \n

\n Lire la suite<\/a>\n <\/p>\n <\/td>\n <\/tr>\n <\/tbody>\n <\/table>\n<\/div>\n\n\n\n\n

\n \n \n \n \n
\n \"Th\u00e9lyson\n <\/td>\n \n \n \n

Th\u00e9lyson OR\u00c9LIEN – C’\u00e9tait \u00e7a ou mourir, Grasset, 2026<\/h3>\n

\n Chronique par Nadine Brunelot\n <\/p>\n

\n Quand on rencontre un livre, en m\u00eame temps qu’une v\u00e9rit\u00e9, en m\u00eame temps qu’une langue, en m\u00eame temps qu’un auteur, on marque un temps d’arr\u00eat avant de soi-m\u00eame dire quelque chose.\n <\/p>\n

\n Cette lecture marque ma rencontre avec Jonas Dorl\u00e9on, un jeune Ha\u00eftien qui va quitter son \u00eele ravag\u00e9e par les gangs arm\u00e9s, pouss\u00e9 au d\u00e9part par les \u00ab\u00a0balles qui tuent les corps mais pas l’espoir\u00a0\u00bb.\n <\/p>\n \n

\n Lire la suite<\/a>\n <\/p>\n <\/td>\n <\/tr>\n <\/tbody>\n <\/table>\n<\/div>\n\n\n\n

<\/div>\n\n\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Dans le cadre de nos ateliers d’\u00e9criture, nous nous appuyons r\u00e9guli\u00e8rement sur des \u0153uvres litt\u00e9raires contemporaines pour nourrir les propositions […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_uag_custom_page_level_css":"","site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"class_list":["post-544","page","type-page","status-publish","hentry"],"uagb_featured_image_src":{"full":false,"thumbnail":false,"medium":false,"medium_large":false,"large":false,"1536x1536":false,"2048x2048":false,"mailpoet_newsletter_max":false},"uagb_author_info":{"display_name":"admin9538","author_link":"https:\/\/www.laplumeetlimage.fr\/author\/admin9538\/"},"uagb_comment_info":0,"uagb_excerpt":"Dans le cadre de nos ateliers d’\u00e9criture, nous nous appuyons r\u00e9guli\u00e8rement sur des \u0153uvres litt\u00e9raires contemporaines pour nourrir les propositions […]","_links":{"self":[{"href":"https:\/\/www.laplumeetlimage.fr\/index.php\/wp-json\/wp\/v2\/pages\/544","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.laplumeetlimage.fr\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.laplumeetlimage.fr\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.laplumeetlimage.fr\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.laplumeetlimage.fr\/index.php\/wp-json\/wp\/v2\/comments?post=544"}],"version-history":[{"count":51,"href":"https:\/\/www.laplumeetlimage.fr\/index.php\/wp-json\/wp\/v2\/pages\/544\/revisions"}],"predecessor-version":[{"id":1406,"href":"https:\/\/www.laplumeetlimage.fr\/index.php\/wp-json\/wp\/v2\/pages\/544\/revisions\/1406"}],"wp:attachment":[{"href":"https:\/\/www.laplumeetlimage.fr\/index.php\/wp-json\/wp\/v2\/media?parent=544"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}